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Showing posts with label change. Show all posts
Showing posts with label change. Show all posts

Monday, 27 April 2015

Rabtt: Connecting for Change

In the chilly winter of 2010, two friends from the Lahore University of Management Sciences (LUMS), Pakistan, gave birth to a unique idea to revolutionize education in Pakistan. They were inspired by their experience of the LUMS National Outreach Programme – a community development initiative that trains exceptionally bright students from all over Pakistan – and the annual Seeds of Peace International Camp in the United States that brings together young people from South Asia and the Middle East to deconstruct stereotypes through dialogue.
These were the encounters that encouraged Imran Sarwar and Aneeq Ahmed Cheema, both of whom have been Fulbright scholars, to envision Rabtt – a social enterprise in Pakistan working to redefine the way mainstream education is imparted to school students. Though Rabtt began to take shape in Imran and Aneeq’s minds in 2010, it was formally founded in 2011. Since then, it has been a harbinger of positive transformation on Pakistan’s educational scene.
For a society that battles extremism, intolerance, violence almost on a daily basis, the young team at Rabtt (derived from the Urdu term ‘Rabta’ meaning connections) strives to build on the power of connections to carve a society that values four core competencies among young people – empathy, critical thinking, self-confidence and creativity.
How does Rabtt achieve this? By connecting with school students across public and private low cost schools in Pakistan to let education be a wholesome, creative and an experience unique to each student.
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Learning is Fun!
It is through Rabtt’s summer camps and year-long workshops with a select set of students from schools in and around Lahore that a wide range of creative skills based on alternative learning techniques have been introduced to the traditional education system in Pakistan. Courses in English, mathematics, public speaking, world history, art and dramatics are taught at these summer camps, not in a traditional sense of classroom lecturing, but through cross-disciplinary learning, interaction, guest lectures, educational trips, and students putting up innovative performances. This facilitates exposure to different perspectives and lets them venture into the ‘real world’ through processes of experiential learning.
In seven summer camps organized through 2014, Rabtt managed to connect with 300 students who learnt about difference, empathy, team building, the concept of tolerance in the early Islamic period and non-violence in ways that stressed conceptual understanding, critical analysis, and open discussion. These were students who belonged to diverse age groups and socio-economic backgrounds.
While connecting with students on a personal level and fostering creativity, curiosity and the spirit of mutual learning, all of which sound exciting to undertake, are quite daunting in reality. The Rabtt team is supported by a pool of volunteers, also known as facilitators or ‘Rabtt Fellows’, who are typically university students selected through a multi-layered screening process. It is these Fellows who engage with students to creatively nurture them with a skill set that mainstream education processes do not equip them with. Prior to the summer camps, Fellows undergo intensive training in skill building and interactive team building, which they subsequently translate to learning spaces full of talented and hard-working students.
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Fellows engaging creatively with students
In the process, Rabtt taps the energy and enthusiasm of two significant groups of people – school students and university students (Fellows) since this is the generation that can contribute most to Pakistan, with an emphasis on values such as mutual learning, respect for cultural diversity and empathy with the ‘other’. Harnessing their skills constructively is essential to overcome barriers that mar the traditional learning space. The attempt at Rabtt is thus not to dislodge the existing system but fill in gaps to achieve greater equity and quality in education.
The process of ‘learning to unlearn’ happens for students, Fellows, teachers, parents and school administrations in ways more than one. For students get a much deserved platform for showcasing individual talents, teachers and parents learn about hidden potentials, and Fellows are able to burst the bubble of coming from a sense of comfort and privilege.
Salma Chaudhry, Director, Operations and Human Resources, says, “When the first camp was organized in 2011, we had more facilitators than students. After much initial reluctance, schools have warmed up to our activities and now we receive an overwhelming number of requests from schools to conduct camps and workshops with their students. Last year, we connected with seven schools in Lahore. This year the number is ten, and in the near future we will move from strength to strength. Gradually, we are also trying to bring schools in rural areas within our fold.”
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Making a Difference
The Rabtt team has developed a unique course curriculum that allies with core competencies to be achieved by students at various levels. Course packs, especially on English language proficiency and World History, have been developed with insights from experts, mentors and partner organizations. Over the years, Rabtt has done its best to evolve creative ways of engaging students, be it in the form of art work during summer 2013 or through a summer camp in collaboration with a Spanish non-profit organization ThinKids in 2014. Recently, Rabtt, along with other education-focused non-profits, was part of ‘Bridging Barriers’, a six month project meant to train underprivileged students in drama, general knowledge, and public speaking.
That Rabtt’s four years of existence have been momentous is evident from the huge number of applications they received for the teaching fellowship this year. Hammad Anwar, who is Director of Communications at Rabtt gushes, “These are super-talented kids that we work with, brilliant and hard-working, just in need of the right push! Most of them had never performed in front of huge audiences. Now, they do so with ease, with positivity and confidence. It is heartening to have them showcase their talents to large number of people, including their parents, who acknowledge they never knew about their kids’ talent.”
Interestingly, each batch of students graduates with a ceremony where they put up performances in front of well-known personalities from media, civil society, education and the development sector in Pakistan. The 2014 graduation ceremony had a mime performance by the girls of Government Comprehensive Girls High School, Wahdat Road, presenting the art of non-verbal communication learnt in the camp and a staged performance depicting the story of a girl marginalized by society by the City District Government Girls High School. I am told that both performances were received by thunderous applause from the audiences and tears of joy and pride among parents.
Rabtt is a humble attempt with grand plans for the future. Plans to collaborate with Indian educators are in the pipeline, and so are concerted efforts to reach out to more and more students, link with like-minded organizations, tread on the path to self-sustainability, and embark on an integrated approach to address issues facing education and society in Pakistan.
I ask Salma and Hammad about the current distressed scenario of strife and violence in Pakistan. How is it possible to stay motivated when extremist elements inflict brutal violence on educational institutions and even innocent children are not spared? Their reply leaves me spell bound. It is this extremism, intolerance and hatred they are fighting against, they assert. Attacks like the one that took place in Peshawar on December 16, 2014 have confirmed that it is only through education that society can be made to undertake the path of peaceful co-existence. No society, especially its young minds, is safe when violence and hateful ideas are left unchallenged. Rabtt lives for the dream of a free, safe and inclusive educational space in Pakistan which fosters acceptance, harmony and diversity! A space where children can be themselves, raise questions and seek answers on their own, where the window to life is always left open, for them to fly, to discover. Rabtt is that vision, Rabtt is that space for which Pakistan craves.

Published on The Bayside Journal - http://baysidejournal.com/wp/rabtt-connecting-for-change/
April 22nd, 2015

Sunday, 21 September 2014

How Zee Zindagi is connecting lives across borders through popular culture

Zee Zindagi showcases popular Pakistani dramas, a soothing and refreshing attempt to show Indian viewers a slice of Pakistani life and culture.
Zee Television’s newly launched channel – Zee Zindagi which goes by the tagline of “Jodey Dilon Ko” (connecting hearts) – has been received with warmth and excitement by Indian audiences. The channel showcases Pakistani dramas for which there is a huge and untapped audience demand in India.
Zindagi_TV
Strained relations between the two neighbours had resulted into restrictions on the exchange of media such as books, newspapers, broadcast channels, films, music videos, folk art, and theatre. Despite this, Bollywood movies and Hindi films actors remain hugely popular in Pakistan, while Pakistani artists have frequently crossed the border to work in the Indian entertainment industry. Popular culture whose role in shaping perceptions is quite significant has cultivated stereotypes while depicting the ‘other’. In such a scenario, Zee Zindagi is a novel venture and a bold initiative by a mainstream media channel to offer to Indians a slice of Pakistan’s life and culture. It also brings in an amount of freshness and innovation to Indian television content.
A few years ago, with stumbling blocks in Indo-Pak relations it was difficult to imagine such an exchange in the mainstream media. Majority of Indians who tend to believe that all Pakistanis are backward, treat their women shabbily and possess a parochial outlook will now be exposed to the realities of life in Pakistan.
The channel is aptly titled “Zindagi” since popular culture is actually supposed to be a reflection of people’s lives, their trials and tribulations, aspirations, and desires. It is gradually emerging as a medium that can connect two sets of people – a majority of whom have not met each other, or have met each other with much difficulty, have not been able to visit places in the ‘other’ country, or have not had chances to interact with people who live ‘normal’ lives across the border. Hence, the ‘other’ is visualised as someone alien or unfamiliar.
A student of the Lahore University of Management Sciences, Sehr Nisar believes that the broadcast of Pakistani dramas on Zee Zindagi offers a new ray of hope to peace talks between the two countries. She feels that this is the best medium to let Indians know Pakistani culture and way of life, thereby breaking stereotypes and bringing a kind of positive energy to the troubled relationship. With storylines that are so refreshing, plots so simple and closer to life, characters so believable and portrayals so charming – that you cannot help but admire the way simple stories are narrated with conviction. Be it the story of ambitious yet simple Kashaf (Sanam Saeed) in Zindagi Gulzar Hai, or the story of bubbly Zara (Maya Ali) in Aunn Zara, or the engaging and socially sensitiveKash Main Teri Beti Na Hoti.
A still from Aunn Zara  Pic - Wikimedia Commons
A still from Aunn Zara
Pic – Wikimedia Commons
Popular culture can work as a powerful force for peace and change since it offers simple life stories—those that can act as bonds between conflicting populations. In many conflict zones across the world, there have been examples of positive roles of popular culture in stimulating change and humanizing enemy images. Letting people see what kind of lives the ‘other’ leads is a good way of shedding stereotypes, and a part and parcel of peace initiatives that must be encouraged between governments.
Qurat Ul Ain Ansari, a young entrepreneur from Lahore opines, “I wonder why it took so long, when we here in Pakistan have been enjoying Indian dramas, movies, and award functions since many years. More and more Pakistani shows, songs, movies and dramas should be promoted in India as it will lessen the distances between us and develop a feeling of apna-pan“. Pakistani dramas are meaningful and depict the struggles of ordinary Pakistanis, their life values, cultural ethos and offer life lessons that have been so beautifully put up to let the viewer feel at home with the characters and their life stories.
Chintan Girish Modi, founder of Friendships Across Borders: Aao Dosti Karein believes, “These TV shows will play a very positive role in changing attitudes that Indians hold towards Pakistanis. Viewers will get to see a whole range of characters, and that will make a difference. The assumption that all Pakistani women are Muslim, burqa-clad, and oppressed needs to change.” His personal favourites are Kashaf and Rafia from Zindagi Gulzar Hai – both quite different from each other but strong, resolute, hardworking, and self-respecting women.
For long, popular culture in India and Pakistan has served as medium for strengthening bitterness and perpetuating stereotypes. Now, however, popular culture can take a lead in smoothening of ties by holding aloft the mantle of peace. People on both sides who fear change and are unsupportive of peaceful relations resist cultural exchanges. Such groups in Pakistan have often demanded a ban to be imposed on Hindi movies and TV soaps, for they believe this will pollute Pakistani culture and adversely impact the youth of the country.
Title credits from Zindagi Gulzar Hai Pic - Wikimedia Commons
Title credits from Zindagi Gulzar Hai
Pic – Wikimedia Commons
Similar elements in India have expressed strong dislike for Pakistani artists who come and perform in the country. As a matter of fact, any scenario of hostile relations has had immediate effects on cultural and sporting exchanges. Devika Mittal, Convener (India), Aaghaz-e-Dosti  - a peace and friendship initiative between India and Pakistan says, “One of the strongest forces that sustains conflict is a lack of communication and a lot of miscommunication. The serials that are being shown on Zindagi are breaking these stereotypes by highlighting similarities in terms of language, culture, customs, thinking and even in our problems.”
While these dramas could anyway be accessed on the internet, bringing them to Indian audiences via television is a major step that could propel peace between the two nations. One cannot help but notice glaring differences between Pakistani and Indian TV soaps, the latter stretching beyond audience imagination to insipid story lines of scheming and heavily decked up women busy in kitchen politics. Some friends have appreciated the elegance and realistic portrayals of Pakistani shows, far removed from the superficialities involved in daily doses of Indian Television.
Kiran Bhatia, a student at The M.S.University in Baroda strongly believes that integration of peace concepts in popular culture can change thinking pattern of masses. “Pakistani Dramas on Indian television will help people in India get a glimpse of the commoners in Pakistan. Familiarity with and exposure to Pakistani lifestyle and thought processes will make the peace process between the two countries citizen centric and thus more effective as change will be generated at the grassroots level,” she says.
Real peace can be achieved and sustained not when it is imposed through mechanisms of power but by people working for it themselves. Zindagi is a great first step in that direction. Muhammad Uzair Niazi, a student from Mianwali in Pakistan deems culture to be the soft power of any nation and advocates mainstreaming of cultural activities on both sides through which coming generations can be made more peaceful and friendly.
A still from Aunn Zara Pic - Zee Zindagi | Facebook
A still from Aunn Zara
Pic – Zee Zindagi | Facebook
This attempt by Zee Zindagi to bring Pakistan to the doorsteps of Indian viewers is sure to be lauded and go down in history as a positive and constructive exercise in engaging people of India and Pakistan. “South Asian culture does have great synergies with Indian culture…and these serials help make the other seem very like us. For those of us not lucky enough to meet people from other countries, the insight through these serials is a good beginning,” is what Raakhee Suryaprakash, an international relations analyst based out of Chennai thinks.
As we relish the cross border cultural fare that Zindagi brings to us, we – as Indians and Pakistanis must remember that while we may not be totally similar, we are not completely different as well. And this is what popular culture ought to celebrate to usher in peace and change.
Published on The Alternative, July 17
http://www.thealternative.in/society/how-zee-zindagi-is-connecting-lives-across-borders-through-popular-culture/